I am the owner of this blog. If you have not already read the About US tab. My name is Gazania. This past weekend I had the opportunity to host a event from another company that I found 8 Plus Divas (www.8plusdivas.com). We host 4 themed photo shoot per year and invite plus size women or women in general in the community to join us. Just recently we the theme of African Safari. I would like to share with you my behind the scene look. Hope you enjoy. Also guess what tribe I am trying to portray. Tell me at the bottom on comments:
With one of the MUA SAVANNAH
IF YOU LIKE THE NECKLACE IT WAS HANDMADE IN KENYA (OOPS I GAVE AWAY THE TRIBE I WAS TRYIN G TO PORTRAY) IF YOU WOULD LIKE TO PURCHASE THE NECKLACE CLICK HERE
Starting October 1, 2010 we will be starting a 90-Day African Tribal Adventure.
Each week you will be able to taking a mental trip to visit a couple of African tribes and learn about their traditional culture, clothing, land, music, dancing and view images and videos and be able to purchase music/items from the region. There many tribes in Africa but we will cover 60 tribes from West, South, East and North Africa.
or even better
Igbo Southeastern Nigeria’s Treasured People (by Rochelle Robinson)
One of the most largest and most influential groups on the African continent are the Ibo, also referred to as Iboe, Igbo—its most common name, Heebo, or Eboans. This nation (as defined by scholar and novelist Chinua Achebe, who refutes most historical claims that the Igbo are a tribe) of people are from the southeastern region of Nigeria known as Igboland.
Among the cities that comprise Igboland are: Enugu City – The Coal City, Owerri, Onitsha, Asaba, Anambra, Abia, Abakaliki, Yenogoa, Orlu etc. Others in the South-Eastern Nigeria are Calabar, Port Harcourt, Uyo, Eket, Bonny Island, Ikot Ekpene, Abak. The region is divided unevenly into two sections—the eastern area and midwest—by the Niger River. This division has strenghtened rather than disrupt the unity between the regions. They are known to have a strong sense of identity and share linguistic ties with their neighbors, the Yoruba and Bini, among others. According to one source, the use of the word Igbo describes its territory, domestic speakers of the language and the language spoken by them—Kwa
The Ibo are mostly farmers and the staple crop is yam. Each year in August, the Ibo hold their Yam Festival to celebrate its harvesting. As a way to pay homage and gratitude to the spirits, the yams are first offered to the ancestors and gods before they are distributed to others in the village. The Ibo “are able to produce yam efficiently enough to export it to their neighbors. With the assistance of migrant labor, they also harvest the fruit of the palm tree, which is processed into palm oil, and exported to Europe in large quantities, making it a fairly profitable cash crop.”
When it comes to fashion and style, the Igbo have no doubt set trends. Certainly in the U.S., women of African descent have been influenced by the colors, fabrics, textures, headdresses and hairstyles of Igboland. In turn, current fashion from the continent have been exposed and subjected to western culture. Nevertheless, Igbo elegance surpasses many; when observing the dress of the men and women from this region, you get a sense of people’s pride, identity, beauty, tradition and culture.
Also steeped in tradition, beauty, identity and culture is mask-making and dance. Masks serve many functions and are often used in religious rituals, public festivals, and social satires. Most recognized among mask-makers and those who admire this art form is the Agbogho Mmuo, or commonly referred to as the Maiden Spirit mask of northern Igbo. The beautifully crafted mask represents the spirits of those maidens and their mothers who have passed on. The mask itself symbolizes beauty. It is a common art form among the Igbo and is strongly connected with traditional music.
From everyculture.com, we learn that “[d]ance and music are perhaps the two most vibrant forms of Nigerian art. Nigerian music is dependent on strong rhythms supplied by countless drums and percussion instruments. Highlife is a type of music heavily influenced by Western culture. It sounds like an Africanized version of American big band or ballroom music. Afro-beat combines African rhythms and melodies with jazz and soul.
One of Nigeria’s best-known Afro-beat artists, Fela Kuti, was heavily influenced by American artists such as James Brown. Palm wine music gets its name from the palm wine saloons where it is traditionally heard. Its fast-paced, frenzied rhythms reflect the rambunctious nature of many palm wine bars.
Perhaps Nigeria’s most popular form of music is juju, which uses traditional drums and percussion instruments to back up vocals and complicated guitar work. Popular juju artists include King Sunny Ade, Ebenezer Obey, and Shina Peters.”
I’d venture to say that there is a little or a lot of Ibo in all of us.
http://www.nathanielturner.com/africanworld.htm (Angelique Kidjo)
Codewit News (www.codewit.com)
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Africa has long been considered home of the origin of mankind, with historians digging up for more information for evidence every time. For many years, the traditions and customs of many different African tribes have stood up up-to-date though western influence has had a lot of impacts. Yet, the Maasai tribe of East Africa and the Zulu tribe of South Africa, though different as many perceive them; have maintained and kept their traditions and customs intact even with pressures to conform to the global setting. Internationally, the Maasai and Zulu tribes are the best known and famous tribes in Africa. However, close observation of these traditions when compared reveal that many changes have occurred due to the influence of globalization. Yet, their cultures stand out as the most compact in the African setting. Interestingly, though from different parts of Africa, the Maasai and the Zulu have similarities in their behaviors and customs and they have fiercely fought to protect their cultures, giving us a great picture of Africa.
Despite the pressure from the international community to conform to the global codes of behavior, the Maasai culture remains one of the most intact and colorful in Eastern Africa. Due to their distinctive customs and dressing style and their residence near game reserves in East Africa, they are the most well-known African tribe worldwide. In fact, the roles of the males and females remain distinct as they were a century ago with men playing the breadwinner role whereas women remain housewives taking care of household chores. The maasai’s are pastoralists who roam all over the countries looking for water and pasture throughout the year. They believe that they own all cattle in the world. To them, wealth is measured in terms of the number of heads of cattle one has together with the number of children. Moreover, the more the wives one has, the more the wealth. Their houses are constructed for temporary use and are made of cow dung and are grass-thatched. In both Kenya and Tanzania, they are the only ethnic group allowed to cross over the countries’ boundaries without restrictions. In addition to this, they dress uniquely in red colored sheets and beads. This dressing style is very distinct from all the other tribes in East Africa. Piercing their ears is a very common behavior practiced during the early age. Informal teaching is the form of education the young generation is accorded; which basically deals with preserving their traditions and ones roles as a member of the community. Music and dancing forms the core of initiation period and their dancing style is characterized by jumping up and doing and going round in a circle and is usually preserved for the youth. The elders are in charge of the daily administrative duties led by warrior leader who also acts as the tribe’s god. As a matter of fact, though threatened by the western culture, the Maasai traditions stand out as the most intact in Africa.
Just like the Maasai tribe, the Zulu tribe has traditions that continue to color the traditional image of Africa in the international arena. Their dressing code which also includes colorful beads has made them a famous tribe. Likewise, the Zulu roles are well defined with the men taking the head of family and the women being the housewives. In addition, the men are polygamous and their rank in the society is determined by the number of children one possesses. Cattle keeping is also one of their practices. However, unlike the maasai, they also do farming and the number of heads of cattle is comparatively smaller compared to the Maasai’s. Therefore, they do not move from place to place but instead live as a community in one place. Zulu women are very good in African art designing which is mostly composed of beads, and this tradition has attracted thousands of tourists in South Africa. Elders are endowed with the decision making responsibility on behalf of the community and unlike the Maasai, they have a King who is highly respected and possesses a lot of power. Moreover, education is informal and is based on the teachings about the traditions and customs of the tribe although formal education is attracting many of the Zulu’s to formal schooling system in South Africa. Their music and dancing style forms a greater part of the social activities and is characterized by shaking energetically especially the belly dance. Their traditional houses are semi-permanent made of mad and pieces of wood unlike the maasai ones which are temporary and made of cow dung. As evident with the Maasai’s, the traditions and customs of the Zulu still standout in Africa.
To sum up, a comparison of Maasai and Zulu traditions indicates that African culture still remains colorful. A common aspect is that of keeping cattle though the number of cattle and the system of rearing them depends with tribe. The Maasai move from one place to another in search of water and pasture while the Zulu confine their herd in one field. The dressing styles still remain very traditional within the different tribes with colorful wears being the order of the day. But the different ways of dressing are clearly evident with Maasai dressing in red sheets while the Zulu have beads forming their wear. Elders play a great role in administering rules and ensuring harmony and justice. Whereas the Maasai are led by a warrior who is also their god, the Zulu are led by a king. Women roles are similar and mostly limited to household duties together with bringing up children. In this polygamous setting, each woman has her own hut where the husband would visit time and again. The commonness in music and dance is also a clear-cut similarity. Maasai young men mostly do the dancing as compared to the Zulu belly dance which is seen widely as a female’s preserve. And despite the influence from other cultures especially the western culture, the African image is still being protected by these tribes
Author: Emmanuel Mutisya
About the Author
Emmanuel Mutisya is a writer and researcher in sustainable development, peace and conflicts, international development, microfinance, and urban planning and is affiliated with the university of Tokyo. He also works with United Nations University (Japan) on sustainability projects in Africa.